Marco Polo's India
The sole local grain produced here is rice. People use only their right hand for eating, saving the left for sundry ‘unclean’ tasks. Most do not consume any alcohol, and drink fluids ‘out of flasks, each from his own; for no one would drink out of another’s flask.’ Nor do they set the flask to their lips, preferring to ‘hold it above and pour the fluid into their mouths.’ They are addicted to chewing a leaf called tambur, sometimes mixing it with ‘camphor and other spices and lime’ and go about spitting freely, using it also to express serious offense by targeting the spittle at another’s face, which can sometimes provoke violent clan fights.
The region breeds no horses but imports them from Aden and beyond. Over 2,000 steeds arrive on ships each year but within a year, all but 100 die ‘due to ill usage’ and lack of horse-handling knowledge. Marco believes that foreign merchants ‘do not send out any veterinaries or allow any to go, because they are only too glad for many of the horses to die in the king’s charge.’ Further north, in a little town near modern Chennai, is the tomb of St. Thomas the Apostle, a place of pilgrimage for both the Christians and Muslims of the region.
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‘Persians, Turks, Tartars, Chinese, Tibetans, Indians, and a score of others defile before us, not indeed revealed in their inner thoughts and feelings, but faithfully portrayed in all such particulars as might meet the eye of an observant traveler, from the oddities of their physical features or dress to the multiplicity of strange customs by which they regulated their lives from the cradle to the grave.’
Marco was supremely inquisitive, attentive to a region’s geography and natural resources, birds and beasts, climate and flora, foods and drinks. He was also drawn to the local arts and crafts, and assessed their commercial value for fellow Venetians. In Marco’s day, cultures were classified by religion, and so arriving in a new place, he described the locals simply as Christians, Jews, Saracens (Muslims), or idolaters (catchall for Tartars, Buddhists, Hindus, Jains, and others). He admired hard-working, law-abiding people, and criticized indolent, unruly ones. There are hardly any personal incidents in the book. What makes his account truly worthwhile are his vignettes of social life, such as how the tartars pitch their tents or go to war, how some central Asians extract musk from gazelles, how a girl’s virginity in Cathay is verified before marriage, why men in a Tibetan province prefer to take as wives women with lots of prior sexual experience, or how the Great Khan’s ‘admirably contrived’ postal service works.
Marco was no scholar, however, and had scant interest in history, philosophy, or language (unlike, say, Al-Beruni, another famous traveler to India in early 11th century). He was a pious Christian and admired other cross-cultural expressions of piety. He believed in magic, incantations, and the power of astrologers to ‘bring on tempests and thunderstorms when they wish and stop them at any time.’ He used superlatives too readily and was prone to wild exaggeration (for example, he claimed the city of Hangzhou had 12,000 bridges, the Great Khan went hunting with 10,000 falconers, and every tree on the 7,448 islands in the China Sea gave off ‘a powerful and agreeable fragrance’). He was gullible too, lending credence to hearsay about giant birds that lift up elephants, men with tails as thick as a dog’s, and a legendary Christian king of Asia called Prester John (were some of these Rustichello’s embellishments?). He could also be very naive about human relationships, relying too much on surface appearances. For instance, he claimed that the multiple wives of tarter chieftains live together happily, with no conflict whatsoever.
In Ceylon, he relates the story of the Buddha with admiration, adding that ‘had he been Christian, he would have been a great saint with our Lord Jesus Christ.’ While largely tolerant towards idolaters, particularly those with a developed material culture, he betrays a garden-variety prejudice against Muslims, best assessed in light of a post-Crusades Christendom. For instance, he deems Christians ‘far more valiant than Saracens.’ Taking sides in a conflict, he declares that ‘it is not fitting that Saracen dogs should lord it over Christians.’ But these and other expressions of contempt—the ‘quite repulsive’ women of Zanzibar, tartars who live like ‘brute beasts’ because they smear food on the mouth of their gods, Indians being ‘paltry creatures and mean spirited’—are vastly outnumbered by expressions of admiration, fair-mindedness, and wonder. He had no role models in his writing and the result such as it is, warts and all, is nothing short of a miracle.
Marco Polo spent many months, perhaps the better part of a year, in India. Except for a brief mention of an inland kingdom that is ruled by a queen and is known for its ‘high standard of justice and equity,’ and which produces all of the diamonds in the world, his account of India is limited to a coastal belt and ends with this tantalizing remark, ‘Of the inland regions I have told you nothing; for the tale will be too long in the telling.’ We would have happily read on, Marco.
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Photos (top to bottom):
Map copyright Encyclopedia Britannica.
Sri Rishaparudar and Amman, 10th century CE, Tanjore Palace museum.
Statue of Nandi, Shiva's bull, worshiped in South India. Chamundi Hill, Bangalore.
Parvati, 11th century CE, Tanjore Palace museum.
Jain devotees at Sravanabelagola, copyright The Naked Men worship their Lord on Flickr - Photo Sharing!
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Brihadishwara Temple, 11th century CE, UNESCO world heritage site, Tanjore.
Common Indian monkey.
Pepper plant.
Marco Polo in Tartar costume (resemblance to the man not guaranteed!) copyright Marco Polo (1254-1324) Dressed in Tartar Costume Giclee Print by Jan van Grevenbroeck at AllPosters.com
Marco Polo (1254-1324) Dressed in Tartar Costume Giclee Print by Jan van Grevenbroeck at AllPosters.com 
Marco Polo (1254-1324) Dressed in Tartar Costume Giclee Print by Jan van Grevenbroeck at AllPosters.com

Marco Polo (1254-1324) Dressed in Tartar Costume Giclee Print by Jan van Grevenbroeck at AllPosters.com
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